Friday, December 30, 2011

The Uphill Confluence


For Dennis

A ragged man on a horse, stopped at a switchback on the Tassajara road, sun shining through madrone trees. The rider cups his hand to his mouth and shouts Yo-Da-Lay-De-Hoo! The horse puts her ears back on her head, is used to such outbursts. Nick Reardon removes a brimmed hat from his head and speaks to the sky:

Oh Lord,
Four score and several horses before this one I got drunk. Really drunk, and yes that was my wife fucking that shit head Billy right in our bed. And I took a machete, yes a machete, and I cut that bastard a new crack. Two cracks he is called now.
Oh Lord I don't regret it one bit. So if you want to come get me, if you think you are ready, come on. I'm going to cut you a new asshole too.
Amen.

Nick recites the speech nearly every time he reaches the bend on the way into Jamesburg, often after finishing off a pint bottle of Jim Beam which, speech completed, he flings into the gully across the road. But today he has not had a drop to drink and when finishes stares into the sky afterward, awaiting a reply. Before, he spoke in rehearsal, to himself. Today he means every word.
The sign he has been awaiting has appeared, his hands tremble on the reigns.
“God damn it!” he shouts, “I'm ready for you and the devil both.” He sits straight on his saddle and spurs his horse down the road. In his pocket is the key to everything to come.


Her long red hair falls in a wave down her back, almost to her waist and in the morning sun glints flashes of copper. Radiant, unsettling, a color that lands softly on the eye but evokes the red of poison oak, nightshade berries, forest fires at night. It seduces and repels, attracts and inspires flight in equal measure.
Cassiopeia snaps her fingers, sways from foot to foot on the tiles of the porch. She could dance all day, across the meadow and down over Tassajara road, to wherever. The sun is so warm, her husband Dennis has gone to town and she has been up nearly three days freebasing coke.
The smell lingers on the porch, an acrid odor of bleach and burnt oak chips that scorches her sinuses and makes her itch for more. But they ran out of base and Dennis has driven to town for more. He did not notice when she pocketed the remaining bag of powder.
Cassy sticks a finger in her mouth and draws a circle in the air:

Mine. This day is mine to have and to hold. I am not selfish; it is mine because I will take it. Hah! Stand back. Until you come home, this is my day to run out into the mistletoe and stick daisies in my hair. I will pull this dress off and run up to the pond and jump in swim across and dry in the hot sun like a rock. Like a rock! And then I will climb the oak trees and shake down the mistletoe.
When you come home you won't see where I have stuck it in the rafters. You will want to kiss and kiss me anyway. But the mistletoe blesses me, only me, and I will kiss you back harder, suck everything out of your mouth that I can. It is all mine if I can take it. And I will.


The monk removes his jeans and chamois shirt and pulls on his robes. The same wall of redwood planks as always awaits him. The gradations of black and red, the wide lines of wood grain are memorized each day to be forgotten anew. He sets his zafu upon the floor, on a red cotton rug he bought long ago in Mexico. He folds his legs underneath him and starts his daily struggle to just be, to liberate himself and all creation from the suffering of living. Before he folds his hands upon his lap he says to the wall:


East of Blom spring, the dry hills rise toward the Salinas valley like hands folding over one another, yellow and bare in the late summer, punctuated here and there by valley oaks and sycamores along the folds of the canyons. I imagine they have always looked that way.
It is an illusion; were I to be transported across the valley the hills would be rutted with cow trails, the grasses come from other continents, the ghost of predators long gone, the mortar and pestles of the acorn grinders pilfered.
To the west, the mountains rise up over Jamesburg to Chew's Ridge. It is no wonder such a rise, like a wave of dark night hiding anything beyond, scared anyone looking for a place to plant crops, to harvest the light in all its forms.
The fires are long gone and the shrubs have taken over. Chamise and coyotebrush, warty-leaf ceanothus and sticky monkey flower. Underneath the choked, itchy layer that grows ever thicker, nothing on two legs moves easily anymore. Even in midday, shade prevails in the interior, home to rodents and birds, snakes and the hardiest of the larger mammals....bobcats and mountain lions, the feral boar.
Yet which is more disturbed, the land which undulates gently and shines yellow in the sun, as if posing to be photographed for a postcard? Or the combustible expanses of dark oily undergrowth awaiting one lightning strike, stray cigarette, to burn everything in sight to ash?
Either way, believes the monk, there is no such thing as a landscape. Not really—a vista is just a snapshot, a mirror reflecting the aesthetic of a single, limited eye.


Humming along in the old Mercedes, bouncing when the worn out air suspension bottoms, Dennis' high dies a hard death. His bones start to ache and his teeth chatter. He knows he can get a hit in town but will have to rush around to find it.
Life was much slower before Cassy; he had needed less and little that he could not trade a pound of weed for. Sometimes, he did not see the lights of town for a week or two between trips to town in his old Power Wagon. Dewey, the truck, lumbered and shook at speeds above 40 mph, and when Cassy had shown up with the Mercedes he had at first reacted the same way.
He tells himself that it was all worth it though, and more. You don't have to wonder what you are doing with a woman like Cassy, you just watch her move across the floor in the evening and you know. You know you have done something right. Otherwise, why would such a perfect creature, such a butterfly, have come to land upon your hand?
Sure it's worth it. He turns the radio up loud to drown out the road noise.


Today is the day. That's what he says, the voice up above the trees that only I can hear. He told me long ago to ride my horse until this day, never get in a car or an airplane or anything else that would make the signal hard to understand. He told me not to soil my loins until this day, that women would know the power in me and want to be near it but that I should not let them. It's for their own sake. When he comes there will be hell to pay and he will separate the good from the evil. A good horse will be the only way to run. It might come to that.
God says don't tell anyone else. They will not understand. But I don't trust him so I have to tell others now and then. I don't trust god because he tells me these things I should do and not do but he has not proven himself yet. I have done everything he asks but he has not shown his face and he could really be a devil. There will be no way to tell until I have unravelled the sign that came today. The whole thing, it could be an illusion a trap to get me to reveal myself. But today is the day, I will know soon.

Five foot three. And a half. Yeah I'm short. So what? I'm tall enough to ride and rope and that's all that matters. Tall enough to get a whiskey at the Stirrup Cup and if you call me a midget I'l kick your ass. I'm not a midget. Five foot two inches, that's a midget.
I was born on this ranch, all 30,000 acres of it, and I won't ever leave. At least not unless Markham sells it and someone who buys it doesn't want to run cows. It doesn't make Markham any money, he just does it for taxes or something. Shit he never even finished the house he started on up at the top. He's got like twenty five others and he only comes here to swim with his kids and play tennis. He comes in his own plane and has a BMW just to drive from the village airport out to the ranch. That's all the BMW does, go there and back.
Can you imagine, he built a clay tennis court out in the middle of the lower pasture? Wonder where they got the clay, it can't be from around here.
People say, there's no cowboys left in California, at least not in Carmel Valley. But that ain't true, there's my uncle Clyde. He was born on the ranch long before Markham owned it and never left. I mean he's never been out of the county except for Mule Days over in Bishop. Oh, one time Markham flew his ass to Aspen for a vacation. He said they had this hot tub that was behind a wall that Markham opened with a remote control. Clyde, in a hot tub? Give me a fuckin break. Cowboy in a hot tub, where's that at?
I'd probably leave the valley if Markham ever gets rid of us. Anything out here, it's worth a million dollars. A million dollars for one house. Property? Forget it. Property with water and pasture enough to run my own cows? It don't work like that here anymore. Markham's place is one of the last big chunks. Christ the taxes on it are probably a million a year.
Wait a minute, I did leave once. They flew us cowboys in a little bitty plane up to Burns, Oregon. We had to show the cowboys there about some cows we sold them. The kind we breed here, they don't need much water. Good thing too, there wasn't a drop for miles in Burns. It was so damn cold too, colder than a witch's tit in an iron bra.

The monk finished his morning sitting and stretched his legs. If it were winter he would be out at Tassajara and the sun would not have risen yet. He would be wearing his robes and walking to the kitchen for morning meal. His stomach would be rumbling as soon as the smell of warm granola met his nose. The air would be still, the smell of sulfur from the bathhouses.
But the way of the householder was not so clear. The Buddha himself had said the rewards were greater, the illusion of existence more distracting than what a thousand monks faced. It was an act of compassion to leave the solitary pursuit of Samadhi behind and take on the pain of the domestic world. Without a morning routine to order his day, restless and worried thoughts multiplied with every possibility for keeping himself busy. Too many choices, too few duties.
He let the morning dilemma go and struck a match on the gas stove. He pulled a slab of bacon from the little refrigerator and cut it in long strips. Bacon! He had to admit he loved it and the kharma of eating his neighbor's pigs, raised in a sunny meadow and killed with care sat well with him. Better than a bag of organic brown rice raised somewhere else in some unknown way.
He laughed at himself and tossed a fatty white-marbled strip in the frying pan, inhaled the smell. The life of the householder did have its pleasures, and a joy in the little paradoxes of survival.

The spring box was built by Johannes Blomgren, a long-bearded German who had wandered aimlessly over North America before settling in Carmel Valley. He had taken a look at the property and known he would die there; he was given to a belief in omen and heedless rigidity.
Most spring boxes were simple affairs built to gather water and eventually water cows, hodgepodged, maybe improvised from an old bathtub. But Blomgren had built his carefully intending it to outlast himself. He had hauled rounded river cobbles from the gully below his cabin
and chinked them with concrete.
It was a wild, frivolous act for a man who wasted little time on anything unessential. But the spring was a source of reverence, his Oracle of Delphi, his extravagance. In its presence he was docile, passive, looked upon the cold water and forgot himself. When oak leaves fell into the box and turned the water brownish with tannins, he would reach in and throw them out by the fistful.
Had it been possible, Blom would not have ever piped the spring but his austerity had limits. After a year of hauling water down the hill in tin buckets he gave in and ran the spring flow in a pipe to his cabin below. It took him several days of hard digging to bury the pipe, which he understood as another extravagance, and he was careful to hide the pipe inlet at the bottom of the rock trough. When he was done, the spring box was as unmolested as he could make it.
He fancied himself a mystic; others saw a typical German taciturnity and niggardliness.
He saw no need to raise cattle if he did not eat meat. No need to own a car if he did not go anywhere. No need to have a wife if he enjoyed his own company. He never ran electricity to his cabin nor owned a telephone. Who did he need to call? What good was a refrigerator to a man who mostly ate grains and vegetables, cans of soup? When he went to others' homes, which was not often, he wondered aloud how they could sleep with the humming of all the electricity.
In the solitude of his redwood plank cabin, filthy with wood smoke and pipe tobacco, he polished his point of view, nourished a patch of opinions that grew and never expressed themselves to others.
Rocking away the years in a handmade old rocking chair, a wrought iron and soft leather throne that reminded him of home, he grew old both happy and unhappy, mumbling to himself
in broken English. It was only when he sat at the spring that he admitted to himself the truth, that he was a fraud.

The monk scrubbed the bacon grease from the cast iron pan and wiped it dry with a dish towel. He put his jeans back on and laced his work boots, folded his zafu into the Mexican blanket and tucked it under his bed. He filled his canteen with the last of the kitchen water in the plastic cooler, stuck a bread roll in his shirt pocket.
Though he had no wood to chop, the monk did have water to carry.
The water from the tap was brownish and tasted of iron, betrayed its cool, sweet source. So the monk had abandoned it. Instead, he would load a blue water jug into the wheel barrow and push it up the steep jeep road to the spring. Sometimes he took loppers and cut the thick chamise that overhung the road while the spring filled the barrel. It was a process he did not rush, savoring the tinkling of the spring water, the rustle of oak leaves under the sheltering trees. Returning down the hill was a haphazard task, one he depended entirely upon his leg muscles for. One so joyful in its pointlessness that he smiled as he slipped back down the hill, levering a flat board on top of the front wheel for a brake.
His reward for the effort was to roll the barrel onto a raised platform he had constructed and jump under the cold, gravity fed spray. He would then stretch out upon on the platform, and when dried by the sun the day would unfold before him.

Lake Brompton was a private joke, a name Cassy and Dennis had given to the dug out lake behind their house, a reference to a cocktail of vodka, morphine, and cocaine given to the terminally ill. Cassy stretched out upon the shore, removing her dress to lie upon. She had snorted some more of the coke but was nearly sleepy, tried to close her eyes but found she just watched the clouds, a growing sense that Dennis had been gone too long rising within her.
She was getting tired of him, with his mopey eyes and lame blues tunes. She had kicked him out the door this morning to go and get more coke otherwise he would have spent the day coming down, snoring in the hammock on the porch.
The clouds passed, the sun grew warmer on her skin, Cassy's mood grew uglier. There was no good reason Dennis could not be home by now. Perhaps it had reached his thick brain that she was preparing to leave. A very small fear formed within her, like an itch. One thing Dennis would not do was give her up easily. Why had he been gone so long? Something was wrong.
She folded her fingers over her belly and wondered where she would go next. It was always her body's decision, it drew hungry little boys to her and she knew how to pick the right one. It was an instinct, a discipline; the trick was to keep poised, ignore her own hunger, keep looking ahead. But it would not do let Dennis get out ahead of her. Why had he been gone so long?

Every other month, Blom went into town to collect a check from his father. It was always the same amount, exchanged into dollars and the envelope never contained any sort of correspondence. His father was a heavily jowled patriarch who had dug the family fortune out of the coal mines of Svalbard, Norway, wrestling a fortune out of the unsuspecting socialist government. His approach to his dreamy, wayward son was entirely pragmatic: better to spend a little to keep him away than a lot to make him go away.
Blom's hands shook each time he opened another check, ashamed of what it said about his own notions of himself. But he went to the bank and deposited it anyway, consoled by leaving half in the account each time as a small act of penance. Afterward, he would stop for one glass of Akvavit at the Stirrup Cup. They kept the bottle for him under the bar. No one else had any idea what it was.

One time my uncle was driving his jeep up the ranch road in the dark. Looked out and saw a pair of eyes and stopped, thinking it was a lost calf. The eyes got bigger and bigger and then–bam!–this fucking boar crashes into the side of the jeep. Clyde looks out the window and the boar is dead. Broke his neck and you can still see the dent from his tusks in the side of the jeep. Goddamn, now that's a mean animal.
There's been more around lately, I saw one running away from the Blom spring the other day. It was a small one with no tusks, but it scared my horse and I think I might start carrying something bigger than a .22. Good for pot-shotting squirrels but nothing against a mad pig.

The monk was loading his barrel into the wheelbarrow when Nick Reardon rode into the yard and dismounted from his horse. “Hey zennie!” he shouted.
There was a look of shock on Nick's face, the whites of his eyes visible all around the pupil and his wide mouth opening to his bashed teeth.
Nick was inherited by each caretaker along with the cabin and the rattlesnakes that nested under the porch steps. He came each month for a check that arrived in the Blom mailbox. Usually he took the check over to the bar where they cashed it and he spent most of it there before leaving for the woods.
When the monk had come down the road to caretake the Blom property, he had already known Nick, unmistakeable from any distance on his plodding horse. Nick liked the monks, sometimes rode out to the monastery to soak in the baths, eat a bowl of rice.
“Good morning Nick. Please come have some tea,” asked the monk.
“Don't mind if I do.”
The monk kept a bottle of Jim Beam stashed in his cupboard and poured some in a cup while he heated water for himself. “I haven't seen your check yet,” said the monk. “Is there some other reason you have come to town?”
Nick took a long sip. “I need to warn you about something, zennie. You're a pure soul and I want you to have enough warning about what is to come.”
The monk frowned.
“There was a problem with my last check. Not a problem really though that's what I thought at first.”
“Perhaps Nick it might be a better idea to cash your check somewhere other than the bar. I think they are probably taking advantage of you.”
“Of course they do, they are sellers of liquor. What's wrong is the number on my check. The government always sends $500 even. Always have, it's their way of keeping me quiet, letting me know they have an eye on me. But this check was for $494.76. Do you know what this means?”
“Your cup is already empty, Nick, and you are worrying me.” The monk poured some more bourbon. He did not know what else to do for Nick but listen and let him come down a little. Bourbon was probably not the best medicine but it did stem the flow of hard, strange words.
“They know zennie, and I am telling you first because you are pure. You are a pure man zennie, and you need to run. You have my word of honor you won't be hurt when the sky opens up. But you won't see it and I will have to do some bad things to fight god back off. The key is in this check.” Nick patted his pocket.
“He is going to make me fight the devil for him. Only I don't know how the devil will appear and whether I can trust god about it. He can be wrong you know, god. He could also be the devil in disguise.”
Nick was rubbing the table hard with his palms, ignoring his bourbon. The monk pulled the kettle off of the stove and poured hot water into his cup.
“I need a shovel zennie. Just lend me a shovel if you're not going to run.”
The monk went out behind the cabin and returned with a shovel, Nick nodded at the sight of it. “Thank you zennie. I won't forget this.”
“Of course, Nick. It's just a shovel. Please, though, get some rest. Come back and lie in the cabin for awhile if you need to but get some sleep.”
“No time zennie, no time.”

The numbers on the check were the final clue. Old man Blom, before he died and his sisters moved in with all those cats had tried to tell me what it was. He said it was buried by the spring but that I would not know where until the exact right time.
49476 is the sign, a code for how to get from the spring to where old man Blom buried whatever I need to know. The zennie was the sign before that, his ears. Old man Blom had earlobes like those, really long. There were others but this is the last. Do you see? The government, they cannot let me find the sign and have it all to myself. There is some connection to the thing Blom buried, it's not clear but I am the middle of the whole thing.

Cassy felt the rush from the last big snort of the coke. It tore through her body, sent her thoughts racing and then obliterated them into pure energy. The energy shot down her spine, out her toes. She could hear the slightest lapping of water, the crickets crawling in the grass, the mistletoe growing in the trees. Her legs picked her up and threw her into the meadow, twitching and blinking, the sunlight running all through her. She felt that she was running, moving faster than anything around her. LIke a lion, she could run any living thing down and bite it upon the neck before it even knew she was there. Her dress was a crumpled ball beside the lake, forgotten.
It had come to her with a start, that Dennis had not returned because he was up to something. It would be clumsy and easy to spot, but he had gotten the drop on her. She crouched on the hillside, looking for him to show himself.

Nick reached the spring and left his horse to wander on the jeep road. He pulled the check out and smoothed it on the corner of the spring box. It was all there, 49476, the signature of someone from the government, the note at the bottom Settlement: Nick Reardon. Settlement, settle, keep quiet. Not any longer.
He was not sure yet how to interpret the numbers, so looked upward into the dappled canopy of live oak above. The sun was high, only came through in little pinpoints. Nick said:

Tell me what you want now. I've done everything you wanted and I have the sign. It won't be long before whoever sends the checks comes to stop me. Now goddamn it. Now is the time.

And finally he heard the voice again. It was a small breeze rippling through his mind, blowing the scattered signs into an order that he had not seen before. It had no words itself but like a magnet pulled the signs in his mind together and left the picture plain.
The numbers had a very simple meaning, he must pace each one off in the cardinal directions. It was like a pirate treasure but that he had to follow the number of steps exactly. He could feel the energy under his feet, neutrinos and sun rays bolting through him into the earth. He heard his horse stamping down below—she could feel it too. Now all he had to do was walk and dig.
But at that moment the devil showed his face.

Cassy drew her shoulders up and tossed her hair back. Her thoughts were slowing, sticking like brown snow in the trees. A muffled noise came from the woods, like a horse stamping around. It would be Dennis come home catch her. Of course he would, would try and stop her. She clinched her fist and found a rock on the trail. It could be worse than Dennis—the monk next door had not fooled her, had tried to conceal his real purpose but had failed. Only cops paid that much attention to everything; he was there to set her up. It could also be the shuffling of a pig, a wild boar come to run her down.
Her heart raced. She was crouching naked in the trees with nothing but a rock to protect her. Whatever was up above was there for her.

Nick was ready for the devil, but had not expected his appearance so soon. He stood naked in the form of a woman, red haired and smiling, holding the .44 from his saddlebags. Even his nails were red, and had not Nick been told by god to distrust women, he would have hesitated to stare at the red patch between her legs. “You must be looking for me,” he said.
“No, you are looking for me.”
“I guess we have found each other.”
“You can't hide I knew you'd be here.
They looked into each other's eyes unsure of who was saying what. Nick moved first, crumpling the check in his hand and demanding, “Are you the devil or did god send you?”
Cassy shrugged, “Who cares?”
“Tell me the number on this piece of paper. If you know it you are god and maybe I'll let you live. You don't look like the government.”
Cassy laughed. “What in the fuck are you talking about old man? I'm the one holding the gun.”
He ran at her with shovel held across his chest. It was comical really, his hideous broken teeth and dirty hair, flailing toward someone not moving. Nothing was that fast. When he was a few steps away, Cassy pulled the trigger.

Nick could see the bullet leave the gun, could see it spinning around itself moving through the air. It was the final test, the final sign. He could stop it if he wished, or he could let it pass right through him. That was the lesson god was trying to tell him, that it did not matter where the bullet came from if he was ready for it. The bullet was going to pass right through him and then he would grab the devil by the throat and would know the answer, whether she was god, devil, or woman. He would know by the feel of the soft white flesh around her neck.
He was wrong about the bullet. It passed through his face, but only after shattering it into a thousand pieces.

The monk heard the gunshots and knew that Nick was dead. The why and how bothered him only a minute later. Running up the jeep road, he saw the horse first. He wondered who would shoot a horse before it bothered him to realize that Nick would not. A moment later he was there, and Nick's face was a dandelion flower blown from off his body, the shovel several feet behind him, the metal blade covered with a spray of blood.

It did not take long for Cassy to be found. She ran the big Mercedes into a parked car in Seaside and was taken to jail. She told the police that Dennis had shot Nick Reardon and they were both being held while the story was sorted out.
The sheriff came and took Nick's body, snapped a few photographs and wrote up the monk's statement. He said very little and asked only a few questions. When he was done, he nodded at the horse and told the monk, “That unfortunately is your responsibility.”

The monk had brought two fresh loaves of bread to Cassy when he took up the Blom cabin. She had not said thanks, instead had promised him a recipe for French onion soup. A look around the kitchen told the monk that no one cooked anything there. She asked him several times why he was in the cabin next door and served him a plate of Brie cheese and stale crackers, forgot about the soup recipe. It was awkward until her two Rhodesian Ridgebacks ran through the door and rolled at his feet. Bo and Arrow.
To his delight, they were both covered with ticks. The monk thereafter looked forward to their appearance every morning on his doorstep. He knew that he should use a heated needle, back the parasite back out so as not to lose the head in the skin. But instead he pinched them off, dug out the heads with a fingernail. On the porch he set out a handkerchief and wiped the remains of the ticks upon it.
Such a patient little creature, the deer tick. He had watched one once, teetering on the end of a piece of fox grass, its future dependent on what might pass by. He had read that they sensed heat only, risked everything in one jump at any source of warmth.

The foreman of the Markham ranch and his little nephew arrived a few days later on the doorstep. The loud banging of their entrance turned out to be a backhoe being trailered behind their truck. The little cowboy came to he monk and said, “We need to bury that horse. The smell is bothering the calves and pretty soon the coyotes will come around.” His uncle said nothing, started unchaining the backhoe from the trailer. The little cowboy stuck his head in the cabin and asked, “Do you still get big rattlesnakes under here?”
The monk said yes and pointed to a skin on his wall, a huge flat bull pinned above his sink. “We have an understanding but,” shrugged the monk, “sometimes they forget.”
The nephew laughed. “You're not like the other zennies. You're alright; I like you monk.”
“I like you too.”

Clyde drove the backhoe up the old jeep road toward the spring. By the time the little cowboy and the monk were halfway to the spring he had already turned around was creeping down the hill, the stiff legs of the horse quivering like aspen trees above the edge of the bucket.
The little cowboy pointed at them and laughed. So did the monk. When the hoe reached the lower meadow the Rhodesians came barking into the meadow and stopped frozen in front of the backhoe, sniffing dead horse.
They all watched Clyde dig a grave in the meadow and the cowboy asked the monk, ”Did you ever hear how Nick got like that?”
“He never said, no.”

Clyde scooped the horse into the fresh hole and backed up to push dirt over it. He could not fathom the stupidity of someone who would shoot a perfectly good horse so he did not try. Clyde turned off the hoe and stood in front of the grave. As he did so the monk, his nephew, the slobbery red dogs joined him. He spoke to the grave:

He was an okay cowboy. Grew up here and when young we would ride the hills together and when old man Blom sickened he sat by his bed and wiped his brow, cleaned the vomit from his bedside. He was not crazy then, a little different but not crazy.
He made a wife of one of the relatives who came to care for Blom and she had been raised somewhere in coldest Germany, opened like a sunflower when she got here. But then something got to her and she was a thing unraveling before everyone's eyes. Nick found her, laughing, in his bed naked beside Billy and so grabbed his machete and now Billy is called Two Crack. His wife, no one knows where she went.
Nick was a hurt animal, yelling and riding his horse fast upon the hills and trails, shooting his blunderbuss .44 at trees and cars. When finally the sheriff caught him, he removed a whip and smashed in each and every of the patrol lights atop the cruiser. Set the whip across his saddle and climbed down before the sheriff could come at him.
They drove him to jail and by the time he got there his skull had been flattened on the right side, his teeth broken. A lawyer found out about this and when Nick got out of jail, the settlement checks began and continued. But he was never the same.

The trailer disappeared down the road in a cloud of dust and the monk found a metal rake and smoothed the grave. His life was going to be more complicated now; the Rhodesians would need a home and at first he would feed them the rest of the bacon mixed with rice.
They would probably scare away the deer and maybe even the rattlesnakes, maybe even the boar. He would miss the wilder creatures but would enjoy mornings on the porch pulling ticks from the dogs' ears.
Down across the pasture and past the road was a dry gully full of granite boulders come to rest. This reminded the monk of hist first task at Tassajara.
He had been given the job of building a new garden wall with rocks from the creek below. The smaller ones he and others carried by hand, reciting passages of the Diamond Sutra to themselves. The larger ones they had been taught to roll, working them together back up the hill.
As they pushed the stones up toward the wall, the monks would first rock the boulder into motion and then heave it just a little bit up the hill. In this way they had moved stones which had looked at first formidable. As he worked he came to feel in his muscles everything that he liked about the contemplative life. He saw the lesson; with careful attention and gumption, even the most static of objects, boulders that appeared to be solidly at rest, could be put into motion.
But when the wall had been finished, he looked back toward Tassajara creek and decided he had been off in his understanding. They had not put anything in motion because little by little even boulders were never static, at rest. If not manifest to the human eye, the motion was within the boulder. Nothing rested.
He would build such an undertaking for the buried horse, pile boulders on the new grave. It would take him several months at least, working by himself, but he would build a pyramid, a cairn, to mark the horse and its rider. It would fill his mornings and when finished he would let the spring pipe flood back down into the meadow and in the freshly turned earth he would plant a patch of sunflowers. Great big ones, with black seeds that would attract the birds. It was something he could do.








Seeing and Not Seeing


I am a lizard. Up here near the top of the island the things with two legs don't bother me. I eat birds, only the little brown ones and never the ones with many colors. Sometimes I eat the little buzzing things and the rodents but they are very small and not really worth the trouble. There is much sun here, and nothing to eat me. I will grow very old.
There were once many more of us, enough to keep the two-leggeds away, scare them back upon their containers that swam on the sea. But then came the ones with pieces of metal in their shrunken claws and killed most of us. They did not know we were lizards and called us instead culebra, which meant snake in their tongue. But we are not snakes, we are lizards, nearly as large as the two-leggeds themselves.
If we were not on an island there would be more of us. But we would be small and eat little buzzing things, have more enemies. This island keeps us here, but it is ours.
Not so long ago, the two-leggeds learned to fly like birds, too big to eat, too fast to hide from. They dropped things from their wings that exploded. They killed most of us that had outlived the invasion from the sea. And then they stopped; they must have thought they had gotten all of us. Now the only ones who come to look for us are easy to spot—they wear many colors and carry things in their claws that are not part of their bodies and look through them from far away. Sometimes they plant flags in the rocks and scribble in little books.
Yesterday, one came all the way up here. Up close it is hard to understand what kind of creature they are. She was not looking for anything to eat, not running from anything I could see. Her hair was black, her shirt, her shoes, everything but her pale skin. I say that it was a she because she had wide hips that would be good for sitting upon eggs and bumps upon her chest like the deer have when their young suck milk from their bodies. She carried a thing in her hands like the others, but she pointed it toward the ground, never looking up and so it was easy to be close to her without being seen. When she got near the top of this mountain, she pulled out shells of the things that killed us from her pocket, arranged them on a rock and pointed her box at them. Then she moved them and pointed her box at them again. She did this for a long time and then sat upon a rock looking at nothing. There was a clicking sound, unlike rock upon rock or rock upon wood.
Excuse me now. The sun has gone over the hill and it is time I take a nap.

Here I am lying on the sand next to the ocean. It's not really me but that's alright, my brother and I are here because this is not Massachusetts in December, not because Culebra is the vacation isle of our dreams. In fact we could have dropped straight from the sky and onto the white sand for as much as we are like the other gringos. I could not find anything to bring that was not black and my brother, Jessie, dresses like a minor hip hop celebrity—powder blue running suit, doo rag, big white basketball sneakers that look like loaves of bread. But when he swims in the water he is as fluid and comfortable as a dolphin and I am at home watching him swim.
I am trying to keep my eyes open here. This morning there was a couple jumping around in the shallows. They had to be honeymooners. She was young, Asian, wore a bright red bathing suit. Her groom was older, a little paunchy around the middle, with hair like a bowl of butterscotch pudding. They jumped at each other, spat water back and forth. She climbed on him whooping like a cowgirl and thrusting her hips like she spurring a horse. He tossed her off and someone snapped a picture from the shore.
When she rose from the water, her back was toward her groom. Her mouth was a perfectly round O and she looked scared, all the whooping had vanished, an ice cube would not have melted in her mouth. And then she turned back to her husband with a big smile, and the moment was gone. This is the kind of image that excites me, makes me wish I had not left my camera in camp.

She returned the next day without her box. She put something in her mouth that made fire, sucked on one and then another. She ate nothing, looked at the ground, tapped her knee with her free finger.
The sun had turned her skin, what there was of it, pinker than before. She pulled another box from her pocket, flipped it open and punched buttons on it. This is something two-leggeds can do now, use these little boxes anywhere. She talked into it.
"Hey it's me. What hat time is it there? Oh right, same time zone, I knew that.
"How is your show coming? You sound tired.
"There is nothing here to shoot. Not really I mean Jessie has taken about 100 pictures of us standing by the water. It's so blue. That seems to be what you do here, lie on the beach, get up, talk about how blue the ocean is. Repeat.
"You would be very, very bored here. Anyway, I'm up on a hill now. They say there may or may not be these four foot lizards up here. The people here on this little island don't know whether there are like these humongous lizards here. Tells you what you need to know about Culebra—the whole island is kind of like a Jimmy Buffet song.
"Jimmy Buffet? You know that guy who sings about margaritas and sailboats.
"Anyway are you listening? Are you safe? You sound high, tell me you're not.
"Okay, what am I supposed to think? You said you wouldn't.
"Never mind. Where are you anyway?
"The show is good? That's great. Really it is, you deserve it."
"This battery is going to die and I can't recharge it here. I'm surprised, you know, I'm sitting on the side of the mountain looking out toward St. Thomas. Wouldn't have thought there would be coverage here. I just wanted to say, well you know, that I love you.
"Bye for now."

I am here because Marlena is not. This is not my idea but my mother's; she believes in places where people do not move too fast and have no clocks. My brother doesn't believe in anything, he just soaks it up, moves through the world around him at ease. He was on winter break and so he came to make sure I did not pine away into a lump of jello; I make sure he does not drink too much beer.
Marlena. The first time I saw her she stood in front of the classroom looking about seven feet tall, like an angry waiter in a rumpled whit shirt and black pants, waving her hands, pointing at us, beating us back. She was fierce, fear rippled through the classroom, but she was impossible to ignore. So alive, so caustic, jabbing her fingers at us, laughing theatrically. Her hair was a medusa hive of dyed black tendrils,chaotic and looking at odds with itself. The class was on something called Body as Landscape, a topic she almost entirely ignored.
Her reputation was immense but obscure. Like most of our teachers no one could remember anything she had done lately. Just a slippery appreciation that she was Someone. That no one knew what she did was just mysterious, elusive.
She gave us an assignment to take basic nudes of each other. "No ironic framing, no bullshit, no small shots of tattoos, or avoiding the body. You have to know what the mold is before you can break it."
On a whim, because there was something magnetic about her skinny body in too big pants, the way she threw it around like a bag of bones ignored by the whirlwind mind above, I asked her to pose for me. "Absolutely not,” she said twice. I smiled my best pixie smile and said, "I'm going to have to just keep annoying you until you say yes.”
"Work fast then, and no shots of my face. You tell anyone in this class I did this and you get an F."
When we got to the studio, she pulled off her clothes and threw them on the ground, turned away from me. "Try to avoid my ass, it's too skinny and I don't want to look like a little boy."
"I thought this was supposed to be about shooting straight on, no hiding, no cropping out of the bad parts."
"I'm the teacher. I give bad advice." She refused to turn around but eventually did so and looked up at the ceiling. I asked her to look at the camera, she looked up and smoked a cigarette, pulled her shirt back on. "Are you getting anything? she asked.”
"No."
"Good."
Finally I got a shot of her face by ducking quickly to the side before she could turn away. She was lounging on her side looking at the wall and when she turned in anger I got a blurry image of her face yelling at me. She got up and dressed.
"This was a very bad idea."
"I thought bad ideas were your specialty."
When I developed the picture, except for the head moving like an attacking bull dog her body was in clear relief. On her right arm there was a small tattoo of the word Escala. I had to look it up, it's Spanish for Ladder.

I don't know why you write upon me what you do. That is the job of the eye and I am the
film. In the dark I reside but for the brief flashes of whatever you decide to etch upon me. Whatever you tell yourself about what you see, it is in my grain that what you see is made. I have
no say and I am the final say.
A week after she let me shoot her, Marlena stopped me after class and said, "I'm not
mad anymore. Let's have lunch."
She took me off campus to a small Vietnamese place with a window on the street. "That
was brave, pissing the teacher off. You don't look that brave."
She ordered stir-fried vegetables with chicken, asked for extra chicken, extra spicy, and I
ate hot and sour soup. She chewed in big bites, like having to use the fork was an imposition, I
picked at my soup, stealing glances. When her plate was mostly clean, she pointed with her fork out the window. "Look at how these kids put bumperstickers even on their bicycles. It's cowardly, carrying around their words instead of saying anything out loud."
"Maybe they do have something to say. You can't very well walk around telling everyone
you meet everything you have to say."
"No, look at how he pushes his bike down the sidewalk, shoulders hunched up, wrapped up
in himself. He's a coward. He doesn't really notice anything around him. Do you?”
She was looking at me for the first time, like she expected an answer not an audience. Her
eyes were a light brown, her lips shining with chicken grease. She was smiling at me, not smirking, just smiling.
"You don't know anything yet do you? I like that."
"Teach me then."
"I am a teacher after all. A bad one."
She leaned across the table and held my chin, kissed me. We finished as quickly as we could and then we went back to her place where she tore me apart, limb by limb, a helpless chicken flopping around on her bed while she licked her lips and ate without a fork. She smelled like cilantro and cigarettes, I can still smell it from here, now.
A bad teacher indeed, she had skipped out on her afternoon classes.

The next day she came up the hill again, this time looking more carefully around her. Before it had been easy to watch her because she never looked up long enough to see me. I could have bitten the back of her neck before she noticed. She had little black boxes around her eyes, and was eating something, an orange ball. This time she looked around her, sat down and put more of the fire things in her mouth. Took off her glasses and little drops of water were falling down her cheek.
If she starts using her eyes like this, I will have to hide better or not watch at all.
She wiped her eyes and stared at her little box, punching numbers but not talking into it. Then she walked back down the hill. I followed her awhile, down into the sun. She moved more like an animal, less like a machine. She left the peels of the orange things on the ground, fruit.
I followed her down towards the water, to where there is an old broken place where a family of two-leggeds once lived. Sometimes I can catch birds there. I saw her reach the shore before I had to turn around, make it home back up high before the hill turned into shade, the sun set. Her family must have been near by then, the things that she would eat.


Six months later we were living together in her apartment crammed full of books and dirty dishes. The books teetered in big piles everywhere, but I made it my duty to get rid of the dishes, wash the sheets, clean the bathroom. I did not mind, I was learning to care for someone else in these little ways for the first time.
The rest of the building was inhabited by retired nuns, I could never escape the sensation they were staring around corners at me every time I opened the door.
That doesn't make much sense does it? How we went from a Vietnamese restaurant to sharing a space the size of a closet, me doing the dishes, washing her laundry. It doesn't make sense but there you go. Her nature, angry, frenetic, when kept under control drew us together quickly, completely.
She needed an audience to expend all of her energy upon, drag around. That's me alright, happy to be dragged along. Really.
She could be very kind at just the right moments. Like when my brother came to visit and she snuck him into a club to hear some hip hop group he worshipped. Or the way she would put her hand in mine, walking to the subway in the morning, smiling like a little kid. She bought me a leopard print coat with her first paycheck. In those moments I felt towed along by a force of nature, awed that she had chosen me to show this soft side to.
She told me she was raised by diplomatic parents, mostly in Belgium, had known how to curtsy and speak French, a few words of something called Walloon even. I had imagined only something broken, something intense could have created her.
"I miss the cheese and the chocolate. It was as good as childhood as could be.”

I am a bullet. I was dropped here long ago but I did not explode. I probably never will, but I will not die unless one of these people who dropped me here finds me again. They made me and I lie here in the bushes waiting for them to come find me. I will make noise someday, when one of them finds me again and commands it. One almost did today, he walked right past me with his sister. This is what they said:
"What did you mean, you’re taking a break from pictures. Isn’t that what you do?”
He wore big baggy pants and a white tank top. He waved his hand in front of his sister’s face and whistled.
"Yeah, pictures I take pictures. But I’m burnt out—that’s what art students do, we work for awhile, we have a crisis. We get over it."
The boy found a shell casing in the road, a spent one, put it in his pocket with some others, shook them around so they rattled. "So Mom is really banging her hairdresser?”
"Don't ever, ever, ever refer to our mom and banging in the same sentence. Eww."
Call it what you want to. Fucking, having an affair, you know what I mean.”
"Yes she is having an affair with the hairdresser. I think that's why she bought us these tickets, so I don't tell Dad. Pathetic isn't it?”
"Nah. Good for moms. She's more worried about you than about Dad. You look like shit, seriously. I think you should start taking pictures again."
They are weak people, I hope that I don't have to make my noise at them. I was made by much stronger people to kill other very strong people. I do not like these ones at all, they are not worth listening to.

When the semester ended her contract was not renewed because she was an even worse teacher than the others. Her criticisms were withering, she cared very little for the topic. Almost no one could think of anything they learned from the class except that it must be frustrating to be a Real Artist and have to get a job.
She said she didn't care and packed up what little she had in the classroom.
And then she started working again. When I had moved in, I was amazed to find nothing indicating she had ever made any prints at all. All through the semester, she had refused to let me see anything she had done. Thinking back, how is it I could have lived with her and had no real idea what sort of art she made? Score one for infatuation.
"I throw everything away after a show that I don't sell, the camera too." She had no regular gallery anymore, burned each bridge as it came and buried herself into a dead end teaching job to make money.
She bought a used Nikon and a tripod and convinced the college not to rescind her dark room access. The more she worked, the more surly she became. The soft side of her ebbed away, what had been the floor of her anger and energy had many floors beneath it. What had looked like her best face, even then tempered with gusting distractions and casual anger, was a mask over uglier things.
She would lock herself in the bedroom and tell me to go away while she scribbled and planned inside. When I told her I loved her, was worried, she started to stay out late, mentioned bluntly that she was feeling the desire for boys again.
"Sometimes, I just want some dick.” She says things like that, like a drunken sailor.
She consumed nothing but coffee, cigarettes, and raw egg noodles, scowled when I suggested she let me make her a real meal. I learned to bake, set out cinnamon rolls and fresh pies, bowls of fruit. They sat on the table going cold while she took notes and more notes, said almost nothing.
When I asked to see her work, she started sleeping in the darkroom, returning at odd hours to take a shower and climb into bed and, rarely, make love without kissing, without saying a word, without caring who I was.
I could not take it anymore. If not a chance to dig into her work, her passion, what else was I getting out of this? I had become a housewife, a caretaker of a little lonely apartment. I spent most of my time drinking coffee and walking around the streets, pretending to marinate the world into photographs of my own.
So I went to the darkroom to see what she was printing.
It was stunning, but I cannot convey why. A photograph is resistant to words after all.
Each image was shot from inside various bathrooms, meticulously crafted forced, staged scenes:
A hand dryer billowing red smoke in a long curl almost touching the floor.
A couple dozen white roses arranged in the back of a toilet, the handle replaced by a long section of garden hose.
The towels in a dispenser replaced by a long unbroken sheet of rubber trailing over the sink below.
A soap bowl on a counter refilled with a tower of grapes, pyramidal, the grape on the top suspended, about to fall off.
The best by far was wide angle shot of three walls of a bathroom stall. On the surface of the walls she had written in very small print over every inch of surface. The words were impossible to read but ran in long columns, each four or five letters long. A dim, sulfur colored light shown from above the stall.
Putting words to photographs, it is a pointless task. Try to see it as I did:
Marlena lugging a camera, a tripod, a bag of her props from bathroom to bathroom, an odyssey of dedicated intrusion. That was what made the photographs so alive, the unspoken back story of some kook camped out in a bathroom for hours on end, kneeling in a stall writing carefully on the walls with a Sharpie while, no doubt, others stood impatiently outside the door probably having to give up after awhile.
I confronted her, told her I was in awe of how she had made these pictures. "They're gorgeous, really. You are so so good it is spooky."
She curled her hand as if to hit me, but then stopped to find her coat. "Don't ever do that again. This has been fun, you and I, but don't push it too far.”
"Too far? I barely see you anymore. Come back to me, please. I love you, I want to be a part of what you are doing now."
She left but after a few days started calling at odd hours. Little by little she came back, not so angry, just exhausted looking. That was her secret, she returned to what supported her without admitting to ever needing anything. The more she runs, the more she comes back. It was confinement that she resisted.
I would find her nodding out on the couch in the early mornings, the hint of a smile on her face. "It was good tonight,” she would say when she saw me, "It's going to be good."

Sit here upon me if you wish, it is for but a second. Sit here and breathe in smoke, stare at your telephone, talk to some illusion that lives on the other end. I don't care what you do. There are better things you could spend your time doing like pay attention to the lizard who watches you with cold eyes from above, sing a song, watch the ships heading out from St. Thomas. It's your loss.
I was born a long long time ago down under the water there and then I was pushed up here. It took many generations of things that crawl and walk for me to get here and I will never die. I am patient—it is only the things that live and die that are restless, looking for something. I am content.
Sit there and gush all the water from your eyes that you can, even the hurricane rains do not bother me. One day I will become rubble and drift down into the ocean again but I will still be. You are but a small second on a long long clock. Nothing you do matters.
If you were to lie down upon me and let all of that rotting flesh wash away. Let the other things with legs eat you and the sun dry your juices and become nothing but bones, then you would know something. Then you would be something. But mostly you are nothing.

She had no regular gallery anymore, but her name was enough to get in the door at the places she had not tried yet. A gallery called Hang agreed to give her a show. "A good gallery,” she told me, "The kind of place with acres of floor space, almost nothing on the walls. A big black desk at the front with a Visa machine on it."
The superintendent of her building knocked on the door one day and told me that if Marlena did not pay last month's back rent we would be evicted. "Please, just give her a couple of weeks. She has a show coming up."
When a couple of weeks passed, I called my mom and asked for some cash to keep from being thrown out on the curb. She insisted on coming to the city for a visit first. She took one look around the place, at me and said, "Get your clothes. You need to get out of here."

Sometimes the boy comes and floats upon my back, pushing along with long, languid strokes. He drifts, dragging his legs behind him, peering down with a mask. He is watching the fish and sun rays, the silty bottom and shadows moving on the reef. He is seeing what he sees, not looking for something not there. He moves like a seal among the waves, not like the others who splash and jump in my shallows, stare mutely at the reef below looking for something they were told would be there.
It comforts him, makes his thoughts go away. He could be something born within me, something made to travel over my back. He walks upon the shore looking out, opening bottles with shards of coral between the crook of his thumb and finger. He knows the shallows, would like to set out into the deep. He could sail forever, looking straight ahead, laughing at storms and smiling at the waves. If I could give him fins and remove the useless, awkward limbs from his body, I would do so.

When my brother was very young, my parents packed us all up and moved to western Mass. My father is an architect and he took a job overseeing the building of a new county courthouse there. My mom grew vegetables, sewed quilts, wore mud boots, and decorated the old farmhouse we rented with black and white historical photos. She felt that she was coming into her own there, but Living on the Land was a fairy tale and we packed up after a year and moved back to Newton.
Ever since he has worked on enormous projects, bridges and buildings—anything big and time consuming. He is rarely home, my mom wears silver jewelry and blousy dresses, tries to look like the old hippy she never was, recalls the old farmhouse with a warm look in her eye.
When she herded me home, I went into withdrawal. I called Marlena a dozen times a day and mostly she would not answer. My mom threatened to take my phone and so I stood out in the snow smoking and redialing. My brother came home for winter break and dragged me to movies and ice cream parlors, introduced me to his friends—mostly white boys in baggy jeans and backwards ball caps. I remembered these kids from growing up here, they all said S'up, and Word, and Yo in constant refrain. They gawked at my tits when they thought I wasn't looking.
I was getting worse not better so Mom suggested Jessie and I take a vacation together.
"You are so pale, you need some sun. Some rest. Go down to Puerto Rico with you brother and lie around like a lizard."
"Is that what you and your hairdresser would do?”
She laughed, "Of course you noticed that.” It was hard not to, this aging woman in long salt and pepper hair who suddenly had to check on her hair appointments several times a week, left the house at odd hours and returned smiling and distracted.
"Yeah I noticed. I don't suppose dad has caught on yet?”
"Not unless you have something to say to him about it."
"Is this a new thing?
"You could say that." She tapped the side of her coffee cup. "It's hard to live with someone for 20 years who loves his job more than he loves you. I deserve this."
Probably she was right, my father who had given me bad eyesight and 5'2” worth of assertion into the world. He had long ago become a kind of mole, squinting at everything, white short sleeved shirt perpetually stocked with three or four pens in the pocket, returning home to his basement full of half-finished models of airports and bi-planes, ships with no bottle, race cars. Who does these things anymore?
I was starting to become Marlena, agitated and jumpy, clothes smelly and mean words that I used too much. Really, it was not me any more than this island of sun and frolicking couples.

Point me at anything, my eye is your eye, fill it with what you want. Trees, people, buildings, walls, clouds, it makes no difference to me. I pay no attention to what comes through the eye, only the hands that guide it. You can point me at a thousand, a million different moments of the day and I will not tire of any of it, it will not go stale, nothing is obvious to me.
But it is to you. You grow tired of looking at what you have already seen, what the world has made without you. You cannot take it all in but must carve the canvas up into little pieces that you can make your own. Go on, I don't mind, I like that you see something through me whether or not I see it on my own. You have seen so little to be so tired of it.

I have climbed up this hill day after day now, leaving messages for her, becoming her or really the absence of Marlena. I cannot shoot much anymore; my photographs just won't live any more without her anger at their banality. I love her so much and I could not tell you exactly why. It makes me love her the more somehow, to not know why. She is probably run into the ground by now, her pictures sold and the camera pawned, worn and dragging herself around like a ghost.
Yesterday I came up here and felt the beauty of this place, this rise looming over the water. But what do you do about beauty other than stand around and look at it? I want someone to grab onto and carry me away. Someone angry and unbuttoned. But I don't want to be ignored anymore.
Then I lay upon a rock looked up into the clouds. Big white clouds turning to grey. I had never noticed how they fly along over the sky, a transparency of one thing over another, not bound to anything as vague as a landscape, a vista, an atmosphere. The sky behind is just a scrim, one of many superimposed polaroids, each thing only itself but near to everything else. They are my new heroes, the clouds.

I did not meant to hurt her. She was moving more like an animal than before, her little box on a thing with three legs. Her eyes scanned here and there, really looked at the shrubs and birds for the first time. She set up her box on a cliff out of the wind and stopped darting around. I wanted to get a closer look—she was more like a thing now that would be good to eat. I moved down right above her like I had done before but she surprised me. I surprised her too; she turned and saw me took a step backward and then was over the cliff. As she fell, she said words. I don't know what they were.
From the top of the cliff, I could see her moving a little on the ground then not moving. She looked up at me then her eyes stopped moving. I did not know humans could do that with their necks, bend them that way. I considered going down and trying a bite of her flesh. But she was in the shade and I will wait until she is not.

So maybe she will float back to me like cloud, even here at the bottom of a cliff on an island far far from her. The more she has moved away, the more I know she will come back. She needs to drag something as much as I want to pulled along. Isn't that how she works?
Only I wish she would hurry. I cannot feel anything at all and I am sleepy. So sleepy.

I have no name, I am made of too many things to be any one thing. Sometimes I am the wind, sometimes, the sun, sometimes the paint on the side of one of the old buildings by the Dewey harbor. I can be anything I want. I am free, I have no form, I settle upon nothing. I am water and not water, wind and not wind. I move and keep moving, but I am one place and not another, I am this place, this island but not this place now, this place as it always been. Once I surrounded the big lizards with their bloody mouths and then the people and the ships came and so on. I was here long before the lizards I could tell you how they got here but I have my mysteries and so do they. I will tell you anything but you have to ask or I will tell you nothing.
What the lizards and the acacia trees, and the little creature in the reefs and the big dark birds and the fish know I told them. I speak all of the languages here, I am language before words or instincts. I am bigger than all of this, I am these things.
I can be anything that comes here; the hurricane winds, the drunken visitors down by the shore, the unexploded bomb shells, the last few big lizards. I can be this pale young girl growing cold in the dirt, her hand clutching a metal tripod, her mouth leaking blood. She will be found and carried away back to where she came from before the mice and the birds and invisible little bugs can eat her and leave her bones to bleach, before the lizard decides whether or not to have her all to himself. But when she is gone, she will still have been here and so I will be her too.